Fuzzy Pathetic Loving Ass :: essays research papers fc

Fuzzy Pathetic Loving AssA Midsummer nighttimes Dream, by William Shakespeare, is a classic foregather that has been retold in many ways. The most recent version of this romantic comedy was done by Michael Hoffman in 1999. This portrayal follows very closely to the original play. Very few lines are taken out, and the divisions stay very true to the assumed original idea. The one briny difference in the original play and this movie is the depiction of the character Nick Bottom the weaverbird. The original play shows Bottom as the overconfident weaverhilariously overthas extraordinary belief in his own abilitytotally unaware of his ridiculousness (Sparknotes.com). These types of characteristics would normally make readers see Bottom as a cocky, egotistical, center of attention, ass. In the play, this is the case. However, in the 1999 movie version, with Kevin Kline as Bottom, the audience gets a different idea of Bottom without changing his basic character traits. Hoffman achieved changing the overall perception of the character of Bottom from to a warm fuzzy man, a dreamer for whom we can root, and pathetic lover, while palliate keeping the ass quality, by only changing a few small, very subtle things (Jones, 127).In what would be Act I Scene II of the original play, Bottom is shown sitting alone at a caf. As he is making his way to leave, a rough looking woman walking rough in a very hurried and determined manner become the focus of the screen. The audience soon realizes this is Bottoms wife. Bottom seems to become frightened of her on sight, so he hides behind a wall. You also learn that his wife thinks his dreams of being an actor are simply unrealistic and stupid. The original Shakespearian play does not include a wife for Nick Bottom. The adding of a wife to a movie is not normally of great importance however, the type of wife she is makes all the difference.Later in the scene, when Bottom goes home, the audience sees more of what type of a wife thi s is. As Bottom enters his house he is shown looking around to see where she might be he is very quite and slips into a room quickly. Almost instantly, his wife realizes he is home, and she rushes into the room with a very ugly, fastidious expression on her face. There is no speaking in this scene (Hoffman).